Friday, December 25, 2009

Araya


Alicia Pantoja and I just completed a feature for WNSR on Margot Benacerraf.

You can
listen to it or download it at newschoolradio.org

Here's the write-up:
 Alicia Pantoja and Martin Lynch present a feature on the Venezuelan filmmaker Margot Benacerraf, including an interview with the director conducted this past October. Benaceraff’s most famous film, Araya (1959), is a tale of a town off the coast of Venezuela whose inhabitants had been engaging in the same practices of salt mining, a difficult and monotonous labor, for nearly four hundred and fifty years. Her film documents the lives of the Arayans in the period of a day.
Edited and Produced by Alicia Pantoja and Martin Lynch 

Monday, December 14, 2009

"Lasting Moments"












































































"Lasting Moments" Tape [90 minutes]

Experimental Mixtape / Audio Collage


Side A

Side B


"When I was small...
I was a cowboy...
I shot at Indians...
When I wasn't a fireman!"

This is another audio collage / mixtape effort following my work with "Channels", "Unsubstantiated" and "Aluminum Riding". This one was recorded as a live mix using three tape players and a keyboard, all of which were sent into a small mixer, which then sent the sound into another tape player to be recorded.

Side A is mostly darker, atmospheric tracks, many of them from experimental or electronic musicians, while Side B is made up more of pop and rock songs. The pacing of either side is very different - on Side A, there is a lot of space between the songs (a la "Channels" and in some parts of "A.R.") where I toggle between the two tapes of soundbytes, whereas on Side B, the "breaks" are for the most part shorter and by the second half of Side B, most only utilize one tape.

I think following "A.R.", with this mixtape, I tried to continue to ask questions of "boundaries" - what are the boundaries between what is socially permissible or "ordinary", and what is extra-ordinary or deemed as existing outside the sphere of what is acceptable. Sometimes, this is attempted with subtlety (i.e. Martin Landau's song followed by a disturbing sermon later on that refers to the "Texas Rangers") and other times I try to execute it much more overtly (Charlton Heston in "The Planet of the Apes" or Liza Minelli on Daytime TV). I noticed, too, in listening to this again, there is a very clear preference to a feminine voice in this tape, as opposed to a masculine one or a balance of the two - over and over again, between the songs and sometimes during them, we find women discussing their daily routines, expressing themselves to someone they feel they can confide in, and even recording an audio diary. I think one of the reasons why I preferred women speaking or acting over men is well, first, because it's more intriguing to me, as a man. And second, as a film student and someone who is trying to write screenplays, I often struggle to understand the perspectives behind the choices of the women in my scripts, so I think in some odd way, I was trying to put these voices out there so that in turn I might better hear them when listening.

For those who are interested, I am more than happy to make a copy of this cassette tape and send it to you.



Here is the playlist:

[Side A]

1.
Cluster - "Hollywood" - Zuckerzeit (1974)
2.
Catharsis - "Poemes Du 17 eme Siecle" - Les Illuminations (1971)
3.
Ian Boddy - "Sundance" - Integration ICR (1983)
4.
Pi Corp - "The Dirge" - Lost in the Cosmic Void ('73-'76)
5.
Anar Band - "Side 2" [Excerpt] - s/t (1977)
6.
Decibel - "Orgon Patafisico" - Contranatura (1978)
7.
Rimarimba - "California + Guitars" - In the Woods LP (1985)
8.
Gino D'eliso - "Track 3" - Il Mare (1976)

[Side B]

9.
Aquelarre - "Yo Sere El Animal, Vos Seras Mi Dueno" - s/t (1972)
10.
Roky Erickson - "Creature With The Atom Brain" - I Think of Demons (1980)
11.
Jorge Mautner - "Olhar Bestial" - Para Iluminar A Cidade (1972)
12.
Karamoko Keita - "Gnani Magni" - Super Sound SS-87 (198?)
13.
Limonada - "Pasteles Verdes" - s/t (1970)
14.
Os Novos Baianos - "Caia na Estrada e Perigas Ver" - Caia na Estrada e Perigas Ver (1976)
15.
Topić, Dado i grupa Tajm - "Kad jednom odkrijem čovjeka u sebi" - Kad jednom odkrijem čovjeka u sebi (1973)
16.
Catherine Ribeiro & Alpes - "Paix" - Paix (1972)
17.
Jean-Claude Charlier et Son Orchestre - "Tarzan, L'Ami Des Elephants" - Sssh.... (1983)
18.
Colin Potter - "Hear" - Here (1981)


[Below is a very nice video of Karamoko Keita]


Roger Moore at 50 - Episode #9


'Roger Moore at 50’ broadcasts bi-weekly and brings you the best in psychedelic, folk-rock, regional, prog-rock, acid-folk, avant-folk, funk, disco, space disco, proto-disco, ambient and early electronic music made between 1972 and 1985, from Sao Paolo to Berlin, Paris to San Francisco, and much more. Expect artists such as Congreso, Lo Borges, Grupo Raizes, Can, Satwa, Kaarst, Hamilton Bohannon, Gino Soccio, Droids, Manu Dibango, Organum, Brian Aspro and Kraftwerk, among others. The show also features guest artists and on-air interviews.

You can STREAM the show at newschoolradio.org
or DOWNLOAD it here

Last show of the semester…everything but the kitchen sink for this one, including a fresh cut from a Tim Sweeney show back in August, some weirdness from the UK, and a Blind Faith cover by a psychedelic outfit from Rio. Thank you for listening.

ARTIST – SONG – ALBUM (YEAR)
1. Love of Life Orchestra – “Beginning of the Heartbreak / Don’t, Don’t” (Tim Sweeney Edit, Live 8/16/09 at Sunday Best) – Extended Niceties EP (1980)
2. Yellow Magic Orchestra – “Taiso” – Technodelic (1981)
3. Hoelderlin – “I Love My Dog” - s/t (1975)
4. Ernan Roch – “The Train” – Le Onda Pesada De Ernan Roch Con Las Voces Frescas (1972)
5. Beto Guedes, Danilo Caymi, Novelli & Toninho Horta – “Meio a Meio” – s/t (1973)
6. Steven Cooper – “Key West Afternoon” (Excerpt from Side A) – Key West Afternoon (1986)
7. Musical Janeens – “Glen Miller & His Contemporary…” – Bouquet of Steel (1980)
8. This Heat – “Cenotaph” – Deceit (1981)
9. George Garside – “Tranquil Dominion” – New Land (1986)
10. Pelican – “Come My Way” – Uppteknir (1974)
11. Sound Factory – “Can’t Find My Way Home” – s/t (1970)
12. Los Jaivas - “Indio Hermano” – Todos Juntos (1972)

Programmer: Michael Lonsdale
Engineer: Doug Bleek

Tuesday, December 1, 2009

Lonsdale #2















I've been here for one week now. Maggie feels comfortable enough to leave me responsible for the shop all day, sometimes, today she was gone at lunchtime and I have not seen her since. I thought I'd be more anxious here, instead I grapple with loneliness. I spend a great deal of my time thinking about the play, actually, which is probably not a surprise, since we only have about a month and a half left before the show, not to mention all of the shit I've had to go through to make this happen. Of course it comes up in the everyday here, too, or I find it because I'm so consumed by it, I await the arrival of my Athena and suspect her in the guise of visitors to the stand. Maggie is no Athena, if anything I feel like Telemachus and Maggie is sometimes like Odysseus and sometimes like Penelope.

Maggie is grateful, I guess, that I came here. I am grateful, too, I have to admit, for something that has begun to stir in me which doesn't when I'm not away like this. I think she knows it and tries to encourage me, yet she's barely around, busying herself with new friends and adventures, when she knows that I know that's not "it" for her either. Some of the best moments for either of us are when we are together and alone. The second day I was here I was shaky from shit sleep and an even stupider hangover and that morning she woke me up to watch the sunrise, and then she began to teach me about the shop and how to make each of these sandwiches. They do grow most (almost all of it) of the ingredients locally, she's even taken me to some spots where they grow mushrooms, cabbage, pickles, leek. There were moments that morning and have been some since where things have been perfect. Sitting indian-style on the sand, I watched her finish cooking peppers in a melt over the fire, her small, worn, pretty hands at work, I suggested she lift it higher away from the fire to cook it slower and she did, I watched her and made jokes every once in a while, and she would smile, and I would then look up the shore and see the top of a tree I had never seen before even though there are not many trees along the coast, anyway I'd see it for the first time, and fill up with admiration for it. That tree had been there all the while and I had only discovered its secrets now.

I wish Maggie could see the play. She inspires me without knowing it. In two days I'm going away alone to travel for the weekend. Then I'll be back and fly home shortly after. Who cares if her new friends are silly, anyway, she's doing what she wants to be doing right now, for that reason I give her more credit than...well, I give her the most credit, my love for her explodes, my respect for her, my appreciation of her. There's even a television here, by the way (!) Too bad I despise television and never watch it back in the States anyway, but there's some weird movie channels, and actually I found "License to Kill" was on yesterday morning. I remember when I took my nephew, Shaun, to that movie, it wasn't so long ago (he was 7 at the time, but his parents assured me it was okay for him to see an action movie). When we came out of the movie, Shaun said something to me which I had been thinking about for most of the second half of the film, he told me after Bond got his license revoked in the movie, he was worried that he would just go back to having an ordinary life, and no one would be there to save the world anymore. He added that he was relieved when Bond did come back as 007. I always liked Tim Dalton as Bond, regardless of how short his stint was, he has a look that is different from the rest of them, Connery, Moore, even Lazenby, it's that, Dalton seems serious, he seems hurt or that he carries something within him that the others didn't have to. Whether he could act or not is almost immaterial, because his appearance is powerful, it moved me to watch him sometimes. One last thing - this from Colin Potter.

Wednesday, November 25, 2009

Roger Moore at 50 – Episode #8 – Interview and Guest DJ Set from Sifunk and Garmunkle














‘Roger Moore at 50’ broadcasts bi-weekly and brings you the best in psychedelic, folk-rock, regional, prog-rock, acid-folk, avant-folk, funk, disco, space disco, proto-disco, ambient and early electronic music made between 1972 and 1985, from Sao Paolo to Berlin, Paris to San Francisco, and much more. Expect artists such as Congreso, Lo Borges, Grupo Raizes, Can, Satwa, Kaarst, Hamilton Bohannon, Gino Soccio, Droids, Manu Dibango, Organum, Brian Aspro and Kraftwerk, among others. The show also features guest artists and on-air interviews.
You can STREAM the show at newschoolradio.org
or DOWNLOAD it HERE
Short interview with Sifunk and Garmunkle followed by mixes from the boys. Garmunkle takes you through something like a babysitter’s unreality, a collection of voices, howls, warnings, and backwards gestures, all blowing through an expanse of deep psychedelic, funk and other-otherly grooves. Afterwards, you can come up for air with Sifunk’s mix, which feels like what you might hear wandering along a Miami Beach after a Double Duce concert at Studio 183, the half-heard echos of an after-party somewhere on the strip, a DJ throwing down inside a two-room cabana packed with one-hundred-and-ten sweaty, inebriated creatures. Brighter, up-tempo, sensual, boogie music.
You can check out Sifunk and Garmunkle’s new record, “Blooperz” at Astro-Nautico: http://astro-nautico.blogspot.com/2009/08/blooperz.html

ARTIST – SONG – ALBUM (YEAR)

[Martin]
1. Joyce – “Clareana” – Feminina (1980)
2. Terreno Baldio – “A Volta” – s/t (1975)
3. Amon Düül II – “Jalousie” – Vive la Trance (1973)
 
[Garmunkle]
1. claudio simonetti - investigate the caravan 

2. twine - eyes 

3. dr. robutnik - ylaup adnik
4. ki en ra - uni 

5. atlas sound - thanatos 

6. rambutan - middle altar 

7. run dmt - tapes1/between us colada 

8. ensemble pittoresque - o.b.w.t. 

9. a-rec - haha 

10. ariel pink - blue straws 

11. suicide - dance 

12. dem hunger - nah fiat shit mama 

13. durlin lurt - understand 

14. dimlite - golden solitude (superloner remix) 

15. dillinger - crabs in my pants 

16. jackhigh - future girl 

17. m.e.d. - can't hold on (instrumental) 

18. cupp cave - kung fu grip 

19. prefuse 73 - ampexian tribe of a lesser time 

20. cypress hill - break it up 

21. les baxter - hell's belles 

22. piero piccioni - eros 

23. tim hecker - city in flames pt. 2 

24. emeralds - over board (off the deep end) 

25. high wolf - the sound of yoga

[Sifunk]
1. Intro
2. The Art Of Noise - Moments In Love (SiFunk Dirty South Edit) Who's Afraid of the Art of Noise? [1983]
3. Al. B Sure - Nite and Day In Effect Mode [1988]
4. Kareem Riggins - "12's in 8" Blue Jemz Presents: Beat Machine [2009]
5. Patrice Rushen - You Remind Me Straight from the Heart [1982]
6. Junior M.A.F.I.A - I Need You Tonight Conspiracy [1995]
7. The Blackbyrds - Love Is Love Flying Start [1974]
8. Dam-Funk - Mirrors Toeachizown [2009]
9. Washed Out - Get Up Life Of Leisure EP [2009]
10. Prince - In Love (SiFunk Drum Edit) For You [1978]
11. Zapp and Roger- Heartbreaker, Pts. 1 and 2 Zapp III [1983]
12. L.B.C. Crew - Beware Of My Crew A Thin Line Between Love And Hate OST [1996]
13. Outro

Programmer: Michael Lonsdale
Engineer: Doug Bleek


[Joyce playing 'Clareana"]
 



Thursday, November 12, 2009

RM50 Seven - Guest DJ Set from Prehistoric Blackout & Phil Gone















Roger Moore at 50 – Episode #7 - Guest DJ Set from Prehistoric Blackout & Phil Gone

‘Roger Moore at 50’ broadcasts bi-weekly and brings you the best in psychedelic, folk-rock, regional, prog-rock, acid-folk, avant-folk, funk, disco, space disco, proto-disco, ambient and early electronic music made between 1972 and 1985, from Sao Paolo to Berlin, Paris to San Francisco, and much more. Expect artists such as Congreso, Lo Borges, Grupo Raizes, Can, Satwa, Kaarst, Hamilton Bohannon, Gino Soccio, Droids, Manu Dibango, Organum, Brian Aspro and Kraftwerk, among others. The show also features guest artists and on-air interviews.

You can STREAM the show at newschoolradio.org
or DOWNLOAD it HERE

Killer set from Taylor of Prehistoric Blackout and Phil Gone. Especially that Stalk Forrest Group track…Thanks again to Bill at WNYU for helping to make this show happen, along with Taylor and Phil. 

By the way, you can see Taylor play this Friday, November 13th at the Oneohtrix Point Never Record Release Party at Glasslands. He’s also playing next month at Cake Shop with Gary War, Ducktails and others.

ARTIST – SONG – ALBUM (YEAR)

[Martin]
1. Reverberi – “Cat Casanova” – Timer (1976)
2. Fellini – “Rock Europeu” – The Sexual Life of the Savages: Underground Post-Punk from Sao Paulo, Brasil (1985)
3. Laraaji – “The Dance #3 – Ambient 3: Day of Radiance (1979)

[Taylor & Phil]
4. Electric Light Orchestra – “Yours Truly 2095” – Time (1981)
5. Sparks – “At Home, At Work, At Play” – Propaganda (1974)
6. Bermuda Triangle – “Right Track” – Bermuda Triangle (1977)
7. Stalk Forrest Group – “Ragamuffin Dumplin” - St. Cecilia – The California Album (1970)
8. Big Boy Pete – “Me” - Return To Catatonia (1969)
9. Michaelangelo – “Nubian Queen” – s/t (1977)
10. Eddie Callahan – “Dying to Sing” – False Ego (1976)
11. Mad River – “Amphetamine Gazelle” – Mad River (1968)
12. Freddy K – “Clean Friends” – Search & Seizure (1988)
13. Zoomers – “Johnny Has A Good Thing” – Mike’s Apartment (1984)
14. Yoko Ono – “Waiting for the Sunrise” - Approximately Infinite Universe (1973)
15. Faust – “Flashback Caruso” – The Faust Tapes (1973)
16. Johnny Lunchbreak – “Amazing Pain” – Appetizer / Soups On (1975)

Programmer: Michael Lonsdale
Engineer: Doug Bleek




Sunday, November 8, 2009

Aluminum Riding (re-up'd)


















The other day I was listening to "Aluminum Riding" on headphones and realized it was only coming out of one headphone. This was probably because I recorded it in Mono but exported it in Stereo. I re-exported it in Mono this morning and it should play in L and R channels now.

Here is ALUMINUM RIDING, surround sound...

Side A

Side B


Sunday, October 25, 2009

Sunday someway



















Inactivity, activity. Headache. Head clear. If you want to be closer with me than I want to be closer with you.

The academic experience is either the mimicking of your professor to impress him/her or the recycling of someone else's ideas, or often a combination of both. What about the re-imagination of cultural items? Can this be thought of as the re-imagination/reinvention of certain ideas?

Since beginning school three years ago, I've taken mostly courses in history and philosophy, film theory and production and writing workshops. Each year my interest in radio and experiments in audio in general has deepened and evolved, at times often crowding out my other interests, like filmmaking, for instance, which I don't become dis-interested in, it's just that - next to the other stuff, it's gets put off or forgotten for however long. Writing has been more complimentary to some of my radio/audio pursuits. With my senior work, I'd like to try to draw on these three areas: radio/experimental audio, film and writing. The goal is to, through a project of some sort, be it a piece of creative (interactive) writing, a film, an audio piece or an installation, "articulate" my "education" over this four-year period in my life. The ways in which I found education, at three different schools - in libraries, on bus rides, alone in houses, with/without loved ones, in a recording studio - wherever it was found. Articulate that, play that, see that education, see how I grew or shrunk in certain situations, what school was or was not doing for me, what other experiences were working and not working.

Hopefully, I can come away with a piece of work which is not an imitation of one of my professors, nor a recycling of someone else's ideas. Instead, can it be a re-imagination of the narrative of "my life" over the past four years? A partially non-fictional, partially fictional restaging of my reality? Understanding things that happened not necessarily...well, what I mean is, watching things happen again not necessarily within the narrow scope of their circumstances and merely their circumstances, but instead, re-playing these things within a broader range of understanding incorporating maybe what I now know about the larger formation of things in "my life."

Friday, October 23, 2009

RM50 Six - CAN YOU TURN IT AROUND


















Roger Moore at 50 - Episode 6 - Can You Turn It Around


'Roger Moore at 50’ broadcasts bi-weekly and brings you the best in psychedelic, folk-rock, regional, prog-rock, acid-folk, avant-folk, funk, disco, space disco, proto-disco, ambient and early electronic music made between 1972 and 1985, from Sao Paolo to Berlin, Paris to San Francisco, and much more. Expect artists such as Congreso, Lo Borges, Grupo Raizes, Can, Satwa, Kaarst, Hamilton Bohannon, Gino Soccio, Droids, Manu Dibango, Organum, Brian Aspro and Kraftwerk, among others. The show also features guest artists and on-air interviews.


HERE to stream

HERE to download


This one’s all VINYL. Thus, the general SOUND is pretty ROUND. Music is R&B, Disco, Pop, New-Wave, Afro-beat and African Pop. I should mention that I do veer outside of ordinary RM50 territory with this one for two tracks – the Bhundu Boys and Ebeneto Koto tracks are from the Tim Dalton years. All the rest in bona fide Rog’, though…enjoy.


ARTIST – SONG – ALBUM (YEAR)

1. Heatwave – “Boogie Nights” – Boogie Nights 12” (1976)

2. Diana Ross – “It’s My House” – The Boss (1979)

3. Gino Soccio – “Turn It Around” – Turn It Around 12” (1984)

4. Jackie Moore – “This Time, Baby” – This Time, Baby 12” (1979)

5. Cat Stevens – “Was Dog A Doughnut” – Izitso (1977)

6. Peter Gabriel – “Spiel ohne Grenzen” – Ein Deutsches Album (1980)

7. Simple Minds – “This Earth That You Walk Upon” – Sons and Fascination (1981)

8. Paul McCartney – “Frozen Jap” – McCartney II (1980)

9. Bhundu Boys – “Pachedu” – Shabini (1986)

10. King Sunny Ade & his African Beats – “Gboromiro” – Aura (1984)

11. Evoloko Jocker – “Santa-Dou” – La Carte Qui Gagne (1990)

12. Orlando Julius – “Dance Afro-Beat” – Dance Afro-Beat (1985)



Programmer: Michael Lonsdale

Engineer: Doug Bleek

Friday, October 9, 2009

Roger Moore is Back!


Roger Moore at 50 - Show #5

'Roger Moore at 50' broadcasts bi-weekly and brings you the best in psychedelic, folk-rock, regional, prog-rock, acid-folk, avant-folk, funk, disco, space disco, proto-disco, ambient and early electronic music made between 1972 and 1985, from Sao Paolo to Berlin, Paris to San Francisco, and much more. Expect artists such as Congreso, Lo Borges, Grupo Raizes, Can, Satwa, Kaarst, Hamilton Bohannon, Gino Soccio, Droids, Manu Dibango, Organum, Brian Aspro, and Kraftwerk, among others. The show also features guest artists and on-air interviews.


HERE to stream
HERE to download


ARTIST - SONG - ALBUM (YEAR)
1. Weldon Irvine – “We Gettin’ Down” – Spirit Man (1975)
2. Ashra – “Bamboo Sands” – Correlations (1979)
3. Snatch – “Joey” – Shopping for Clothes (1980)
4. Kaarst – “Ingwerfrau” – Man Spricht Deutsch (1979)
5. Bene Fonteles – “Na Verdura do Mar” – Benedito (1983)
6. Roland Bocquet – “Paradia” – Paradia (1977)
7. Terry Riley – “Desert of Ice” – Shri Camel (1980)
8. Theatre of Sheep – “Glamour (I wanna be lovelee)” – A Quiet Crusade (1983)

Programmer: Michael Lonsdale
Engineer: Doug Bleek

Monday, September 28, 2009

From Michael Lonsdale













The first thing that happens is my arrival, if you can call it that, to this place, and though it's unclear exactly where it is, the suggestion is that I am south of the Equator somewhere. I'm there, I can actually stand on the shore of this place and look across the sea, this seemingly vast body of water but of which I can in fact see it's end and the beginning of another land mass. That land mass is my home country, it's home.

I stay in this place for a while and meet some people, one is a woman with long, ash-blonde hair (it reaches down to her waist) with whom I fall into an affair. Quick and passionate, she disappears, probably back to a spouse of hers or perhaps just another lover. I'm left feeling cold in a tropical climate, and confused because...she didn't come off as ordinary, or, I mean, the kind of person who would do something like this and then have the disposition to take off, she seemed to move slower than that (at least that's how I felt when I was with her and could look at her eyes), in fact she gave me the impression she hadn't been seeing anyone for a while. I do think she might have a spouse, though, that I think is possible. For the rest of my time down there, I walk around feeling lonely and get down on myself. I find work, actually, but give it up when I realize I don't need the money I was earning to survive, and anyway the drinks here are dirt cheap most nights of the week and food is basically free. Hunger doesn't really occur to me in fact. I think a lot about this woman and wonder where she could have gone to.

After a furious dream cycle, I awake one morning on the beach (where I've been sleeping for the most part) to a gut feeling to go. Over the water, it's a short trip by flight and I'm back at home, or around "home", in what felt like minutes. The "trip" is "behind me" and already I feel regret in having made such a split-second decision, but I resolve to "live with it." Apparently, this ash- blonde-haired woman has not left my consciousness although I've left "that" world.

Dinner, or lunch maybe (again, mid-day, not clear) with some friends from high school, junior high, actually. Calm, I feel calm there, this is for sure, but I also feel disturbed, wrong, and for this reason "scared", scared of death, scared of the fade to black that I can actually see forming over a set of trees beyond the house we're eating outside of...I just feel bad, really, sad, and yet I feel calm too, like someone who's hurt me is holding me close.

"Alan Napier is dead," says one of them. I wonder if my silence appears unsettling to them, so I chime in, "Dead, like, he died today? Or do you mean he's been dead?" They say nothing in response, only smiling at me and continuing their conversation, now discussing women at their respective workplaces. Around now, I remember I don't know who Alan Napier is and feel a cold wind blow down on my neck, my body has grown used to a tropical climate and is now feeling fucked to be back in the suburbs, where even though it's still warm it gets cooler the second half of the day.

That's it, I need to say something, I think. One of them is staring at me with a grin, his fork held in the air next to his head, a gold earring dangling from his left ear. He's like a clown. Without waiting for an appropriate moment, I jump in, "I'm not sure what I'm doing here right now, but I was just away, like in another place on a trip or something, and I'm not sure exactly how I made it from there to here, in fact, as far as I know it would make more sense for me to still be there." They all watch me carefully and I feel that when I speak I'm looking directly at each one. I continue, "I think I know all of you from a while ago, but I'm not sure that I do, you all seem familiar in some way, but um, I hope I'm not being cruel or rude but I really don't know what I'm doing here, I sort of, I just don't think this is where I'm supposed to be, that's all, because I was just at this other place for a while, and actually I left there sort of abruptly, but I think that is where I belong. On top of that, even though I think I remember leaving there, and as I said it was sort of abrupt, I don't really know how I left, and how I got here." No one speaks, and instead they all continue to eat and talk, smiling and laughing, having picked up from their conversation where they had left off, without acknowledging what I had just said. One, with a kind of fat, pig face and broad shoulders reaches across the table and grabs my left shoulder. He gazes at me with a twinkle in his eyes and tells me, "That was a great story." Last thing I remember about being there is falling asleep with my head dipped in mashed potatoes. I might have been crying, too.

Later (that same day, I can guess) I'm back at home sitting in my sister's room, staring out the window as the sun sets - there's really nothing like the setting of the sun in the summer time, from about seven o-clock to nine, it's beautiful. Can take your attention away from even the most disturbing aspects of "suburban life". Hopefully not much else does because enough people know how to do it themselves. Now at home, really at "home", I can see exactly what I should have and not have done, whilst the details of how and where I did what I did are still vague. Lying on the sofa, gazing out the long, folding windows along the wall into the gray and gold evening, I realize I've fallen but there will be another opportunity to rise again and it will probably come soon.

Suddenly, a person appears walking past the window. She has brown hair and is dressed in a gray shirt and black pants. What is she doing on my property? Before I have time to process it any further, another person appears in the window frame. It's the woman from my trip, with the ash-blonde hair. She's wearing a brown and tan jacket that reaches her knees (this weather probably feels "cold" to her) and boots and black pants. Slowly she walks past the window, appearing to be looking for something. I feel excitement. My heart starts to race and my arms are shaking. Clumsily I try to stand up to run to the window and flag her down but I slip on an electric hair dryer left carelessly on the floor. I put myself back together and stand up, dashing to the window. I can still see her out of the corner of my eye, looking around, for something, she's looking for something - it must be me, she must be looking for me! Why else would she be here? She's come back, or here, rather. I push the window furthest to the right wide open and punch through the screen, which breaks into millions of tiny pieces, like fireworks, and I roll out of the window. I look around and it's pitch black, I can't find her. The sun hasn't set, it's gone. There is no light anywhere. I hear a voice in the distance, drifting away, it sounds like, "Michael?"

Routine kills, I don't like routine but in my weaker moments, like after the aforementioned incident, I am susceptible to falling into situations in which I am not "there." Distraction, in other words. So here I am, a few towns over, with some friends and their friends to who I'm naturally considered another friend. My mind is on the woman who walked past my window who is the same woman I met while on my trip. For whom I felt something and left me without notice. Maybe she can tell me something about everything that's going on, how I got here and how I can get back there. I wonder how she feels about me, too.

One of my friends announces that we're going to go swimming. "We are" going swimming. This reminds me of the weather outside, which is now strangely cool considering it's mid-day in August, for at least in the summer evening it's normal for it to cool down. It must be three-o-clock in the afternoon and yet it feels like autumn outside. Around me, no one seems to be dressed to go swimming or to have any intention of going in. A couple of my friends, two girls, one whose company I enjoy quite a lot and the other who is just sort of there, start talking to me about the pool. It seems like they're trying to convince me to go in. I understand that they are but their "words" are becoming increasingly more cryptic. One of them tells me I look ready to go in, and I ask "what do you mean?" She says, "You're wearing a suit, that's all." She pulls back and looks at me with contempt, as though I had taken a jab at her or something.

At a loss for words, I give in and jump in the pool, a part of me hoping that if that water does not reveal itself to be the Southern Atlantic Ocean then the second best thing would be for it to disappear and for me to crush my head on the concrete. The water is just pool water and I'm under water now, breathing through my nose. From now on, I cannot do anything that doesn't feel right to me. I'm freed in this way, and death is just death now, while life is literally an opportunity, "the" opportunity. No more distractions. That's settled. I'm ready to come up for air now. Get out of the pool and maybe look for her some more or maybe just get out of here and go back down South. Either way, the first step is to get out of this pool. But I'm stuck. I'm really stuck now and I wonder about getting out of here. You have to do it when you have the chance, not when it happens to you.


Friday, September 18, 2009

Monday, September 7, 2009

Holiday Man



Holiday Man (Justin Ray-Keeffe)

LIVE at North 4th Bar, Brooklyn, NY, September 6th, 2009

"Comedy Rock"

Sunday, September 6, 2009

Thursday, August 20, 2009

JILL MIX + SUGAR MINOTT













Space-Electro, R&B, Disco, Pop, Dancehall, more…
…from France, Brazil, Germany, Africa, Turkey, Jamaica and America

This mix (60 minutes) was originally put together for a party hosted by my friend Jillian a few days ago. It was created (quickly) but I liked the results and have chosen to share it with YOU.

1. Droids – Shanti Dance Part 1 – Star Peace (1978)
2. Quick Culture – Quick Culture 2 – Quick Culture (1982)
3. Gilberto Gil - Axé, Babá - A Gente Precisa Ver O Luar (1981)
4. Caetano Veloso – Gente – Bicho (1977)
5. Marcos Valle – Mentira - Previsão do Tempo (1973)
6. Mogöllar - Sehnaz Longa – Mogöllar (1971)
7. Manu Dibango – African Carnival – Africadelic (1973)
8. King Sunny Ade - Eje Nlo Gba Ara Mi – Juju Music (1982)
9. Sugar Minott - Inna Rub A Dub - Inna Reggae Dancehall (1988)
10. Burro Banton – Stumbling Black – Buro (1983)
11. Wagner Tiso – Trem Torto - Trem Mineiro (1981)
12. People’s Choice – Opus De Funk – We Got The Rhythm (1976)
13. Hamilton Bohannon – Dance Your Ass Off – Dance Your Ass Off (1976)
14. Diana Ross – Love Hangover – Diana Ross (1976)

….

Sugar Minott:



Enjoy!